television as art by Milan Atanaskovic / www.atanaskovic.com
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Video Art Fenomenon

Although it continues to be produced, it is represented by two varieties: single-channel and installation. Single-channel works are much closer to the conventional idea of television: a video is screened, projected or shown as a single image, Installation works involve either an environment, several distinct pieces of video presented separately, or any combination of video with traditional media such as sculpture.

Installation video is the most common form of video art today. Sometimes it is combined with other media and is often subsumed by the greater whole of an installation or performance. Contemporary contributions are being produced at the crossroads of other disciplines such as installation, architecture, design, sculpture, electronic art, VJ (video performance artist) and digital art or other documentative aspects of artistic practice. The digital video "revolution" of the 1990s has given wide access to sophisticated editing and control technology, allowing many artists to work with video and to create interactive installations based on video. Some examples of recent trends in video art include entirely digitally rendered environments created with no camera and video that responds to the movements of the viewer or other elements of the environment. The internet has also been used to allow control of video in installations from the world wide web or from remote locations. Emerging in the 1970s, Bill Viola (USA) continues as one of the world's most celebrated video artists. Matthew Barney, the creator of the Cremaster Cycle, is another well-known American video artist. Other contemporary video artists of note include Americans Gary Hill, Fred Forest 1967 (France), Tony Oursler, Mary Lucier, Paul Pfeiffer, Sadie Benning, Paul Chan, Eve Sussman and Miranda July; Eija-Liisa Ahtila (Finland), Pipilotti Rist (Switzerland); Shaun Wilson (Australia); Stan Douglas (Canada); Douglas Gordon (Scotland); Olga Kisseleva (Russia); Martin Arnold (Austria); Matthias Müller (Germany), Gillian Wearing (UK); Stefano Cagol (Italy); Helene Black (Cyprus); Shirin Neshat (Iran/USA); Aernout Mik (Netherlands), Buryan Oleg (Russia) and Walid Raad (Lebanon/USA). There is also a movement against the medium in that artists are working with traditional painting techniques or sculpture to express things about television. Artist Trigo Piula created a work in 1988 "Ta Tele", oil on canvas that illustrated televisions control and influence. Mike Retter made a series of paintings about television between 2005 and 2008. This included Videodrome hands and The Audience which were exhibited in a television station in Adelaide, Australia.